Making a Magazine in a Pandemic

A Back Matter staff member shares the process of creating the publication (partly) remotely

After being admitted to the Creative Publishing and Critical Journalism (CPCJ) Master’s program at The New School for Social Research in Spring 2019, I was invited to the launch party for a student-created magazine called Back Matter. 

With an open bar at Von in NoHo to commemorate the end of their semester, Back Matter editors gave toasts to months of production and passed out copies. Nervously mingling with my soon-to-be professors and peers, I flipped through the pages of the magazine, enamored.

Producing Back Matter has become a rite of passage for CPCJ students. The magazine typically covers the publishing industry at large, and students in the relevant course direct their issue’s theme and aesthetic, filling roles across editorial, design, web development, social media and marketing, publishing and business. 

Formally known as the Multimedia Publishing Lab, the class was designed by CPCJ co-founder Rachel Rosenfelt, former publisher at The New Republic and founding editor of The New Inquiry, as a kind of capstone project, an opportunity for students from across The New School to apply their skill sets and interests to the full process of creating a magazine. 

Now, the class is co-taught by Jon Baskin and Jesse Seegers. Baskin, who handles the editorial mentoring, is the CPCJ Associate Director and a founding editor of The Point, a thrice-yearly magazine of philosophical essays and criticism. Seegers — who has worked architecture, design, writing, editing, publishing, and research — serves as the design beacon and teaches core classes in CPCJ and at Parsons School of Design.

After that night, I committed to the CPCJ program. I was drawn to how it merged design and writing practices. Now, I am finishing up my second semester and pursuing an interdisciplinary graduate minor in Design Studies. At the beginning of Spring 2020, I enrolled in Multimedia Publishing Lab with the intention of stepping outside of my editorial comfort zone and getting more portfolio experience with print design.

“This goes to the heart of what CPCJ was designed to achieve,” Baskin said. “I think the founders, Jim Miller and Rosenfelt, saw from the beginning that too much of professional publishing is bifurcated into different departments that barely communicate with one another. One of the goals of the program, embodied most successfully in this class, is to help graduate students who can work across those divides.”

We began the semester applying for and receiving our positions, noted in the masthead above. 

The editorial team picked out submissions, working with Baskin to guide student writers through the editing process. Second-year CPCJ students Taia Handlin, Editor-in-Chief, and Shulokhana Khan, Managing Editor, spearheaded this effort.

Meanwhile, the design team began to envision how the magazine would look and feel like. Creative Director Annika Lammers, a Parsons Master’s student, managed the overall visual concept, applying her spatial design skills to construct the physical publication. As Art Director, I spent hours with her pouring through other magazines and taking trips to Printed Matter, an artbook distributor in Chelsea, for inspiration. With the help of Seegers, we made mockups, printed them, printed them again, and then printed them yet again. We had big ideas of unique binding techniques, using the school’s risograph printer, experimenting with paper weights and textures. We worked with the editorial team to blend the thematic contents with visual expression. We created a graphic treatment to begin laying out the print product. 

The publisher began seeking printing quotes, and the digital team drew up plans for a website and social media marketing. We set editorial calendars, print dates, and budgets, and we started planning our own launch party. 

Then the world changed.

AAnnika Lammers and Alexa Mauzy-Lewis working on Back Matter in the before-times | Photo by Hector Gutierrez, Back Matter Marketing and Communications Director
Jon Baskin on a class trip to Printed Matter in the before-times| Photo by Annika Lammers, Back Matter Creative Director
Back Matter staff meeting in the before-times | Photo by Hector Gutierrez

“We began this second edition of Back Matter in January. Then, none of us was imagining our current reality, structured by daily video chats and people actually debating if silk scarves are better or worse than bandanas in stopping a pandemic,” wrote Handlin in her Letter from the Editor.  “We just wanted to make a sassy magazine that pokes holes in the immense, white, privileged landscape of publishing.”

In response to the COVID-19 pandemic, we decided to trudge on virtually. We launched the new issue on the magazine’s website and began to roll out the articles and illustrations we had crafted.

It wasn’t easy. “We have had to relearn ways of communicating, sharing information, and effectively coming together to cohesively formulate the vision and content of the publication,” says Lammers. “We are now sharing different time zones from Australia, to Korea, to the U.S.”

“I cannot help but think that the initial design decisions made at the very start of the publication are reflective of our current surrounding environment,” Lammers says. “Back Matter’s hand-drawn illustrations, risograph-printed pages and sewn-bound finish strips back the complexities and reveals insight into the way we had to critically adapt and think about the publication.”

The Back Matter team is continuing to build out the website, publishing new pieces weekly. Cailin Potami wrote a piece on underrepresentation in publishing. Jessie Mohkami explored the gender gap in book club culture. Adji Ngathe Kebe explained how comp titles paved the way for the racist bestselling disaster American Dirt

Soon, we’ll share a special section that responds to the landscape of media in a crisis. We are working to finish our final print design, with hopes of printing it in the fall, if those who are not graduating will be able to return to campus by then.

Screenshot of the print title for a piece by CPCJ student Fareeha Shah.
Full article available online.
Screenshot of the first-page layout for a piece by CPCJ student Cailin Potami.
Full article available online.

The ending of this semester is bittersweet. Instead of celebrating our work together at a bar in the city, we are sitting alone in our respective homes at our computers. Through blood, sweat, and InDesign tears, we will have the final design for a print magazine, but its future, like many things, is TBD. Still, we were able to provide a digital home to the works of some incredible New School writers and illustrators — graduate work and research that was produced in the face of global chaos.

Publishing, at large, has been forced to adapt. This issue of Back Matter will always be a relic of this time.

Alexa Mauzy-Lewis is the Art Director of Back Matter magazine and a Master’s student in the Creative Publishing and Critical Journalism Program. Cover art is by Hector Gutierrez. 

Subject Areas Offer Focused Paths within Disciplines

Graduate school is a specialized environment where students can immerse themselves in a discipline. In Fall 2019, New School for Social Research Anthropology and Psychology students gained a new way to explore specialized areas of study within their chosen fields: subject areas. By pursuing course credits within these informal paths, students can deepen their research, develop closer relationships with faculty, connect with potential job and internship opportunities, and more.

Research Matters spoke to students in the Anthropology and Design, Global Mental Health, and Science and Society subject areas about their experiences. Read on to learn more!

Note that a new subject area is debuting in Fall 2020: Applied Psychology, which helps prepare Psychology MA students to be part of the growing field of user experience researchers

Anthropology and Design

Why do things look the way they do? In the Anthropology and Design subject area, Anthropology MA students have the opportunity to apply ethnographic research and conceptual frameworks in their field to how the world and its structures are designed. With access to the classes and resources of The New School’s Parsons School of Design and the Schools of Public Engagement, as well as NSSR’s Creative Publishing and Critical Journalism programs, Anthropology students can develop design practice and apply those skills to their research.

Erin Simmons, an MA student in the Anthropology and Design subject area, examines the evolving field of data representation. 

Erin Simmons, Anthropology MA student, and Shannon Mattern, Professor of Anthropology

I am looking at the way that data visualization is being used within the international development sector,” Simmons says. “I work with things like complex poverty indicators, the human development index to look at how people’s perceptions of what poverty is and how it’s defined can be altered by the visualizations that are being used to represent it.”

Simmons was drawn to the subject area after working with economic texts and data collection. Shannon Mattern, Professor of Anthropology and head of the Anthropology and Design subject area, encouraged Simmons to think deeper on how design tactics influence the way data is perceived. 

“Anthropology offers critical concepts and methods that are extremely valuable for the politically- and ethically-informed practice and analysis of design,” says Mattern. “Design, likewise, empowers anthropologists to think more expansively about the subjects, methods, and modes of their practice.” At The New School, continues Mattern, anthropology and design are “both honored as creative and intellectual practices that have much to learn from each other.”

By taking classes in data visualization and design, Simmons is elevating her work on poverty, and trying to present it in a way that is more accessible and effective. She hopes to collaborate further with designers and create new forms of data representation.

Global Mental Health

Mental health disorders are the leading cause of disability worldwide. Yet gaps in culturally relevant studies and resources persist globally and hinder the advancement of solutions to this problem. 

Psychology MA students can pursue the Global Mental Health subject area to understand how treatment and prevention can be better implemented on an international scale.

Adam Brown, Associate Professor of Psychology and an expert in global mental health, says the subject area exposes students to how “mental health researchers are reimagining the ways we can design and deliver mental healthcare, reduce stigma, and partner with communities to empower and support one another.”

Although the material draws largely from psychology, Global Mental Health courses are very interdisciplinary, drawing on anthropology, public health, and design. This experiential coursework, combined with internship placements, prepares students to work for international agencies, government, and non-profits engaged in community-based mental health work. 

Evan Neuwirth, Psychology MA student, and Adam Brown, Associate Professor of Psychology

This year, Evan Neuwirth decided to dive into Global Mental Health. In addition to finishing his MA in Psychology and starting his PhD, Neuwirth is an Executive Function Coach runs a small tutoring business that specializes in executive function remediation. A student fellow at NSSR’s Zolberg Institute on Migration and Mobility, he also works with the International Rescue Committee program and directed a documentary film that chronicled the lives of the Liberian national amputee soccer team.

From these diverse experiences, Neuwirth found a common thread: that the mental health of people affected by crisis is poorly understood. Turning to psychology, he realized part of the problem was in the lack of diverse and relevant research; many mental health studies are done in a Western context and without quality socio-economic considerations, which mean they are inadequate for addressing global disparities in mental health support.

After taking classes with Brown, Neuwirth was able to connect his own research ambitions to other work at The New School. Joining in Brown’s Trauma and Global Mental Health Lab, Neuwirth is working with other students to investigate and reduce barriers to mental health care in low-resourced contexts. Current lab research includes refugee mental health and psychosocial support, hospital-based mental health detection and prevention, and human rights and global mental health.

“Global mental health is still an emerging field,” Neuwrith said. “It is exciting to be involved now and to see the systematic and global impact this research could have.”

At the IRC, Neuwirth works on their newly implemented Mental Health and Psychosocial Support Framework, helping to foster programming to achieve mental health and psychosocial wellbeing outcomes for their populations. 

“The New School is one of the few places offering these kinds of global mental health studies now,” Neuwrith said. “This work is going to be the future of how we understand mental health.”

Science and Society

Writing a thesis is a solitary, often lonely process. For Anthropology MA student Sonia Zhang, her thesis is a deep dive into loneliness itself.

“I’m interested in how different understandings and experiences of loneliness come together in contemporary life, and one of the fields I identified is social robotics in Japan,” Zhang says. “By looking at how people in the field reconcile ideas of loneliness both in their professional life and through the products — in this case, robots —  they design, I am trying to understand what loneliness does in the contemporary, technology-infused landscape.”

Zhang’s research has always been interdisciplinary, drawing from literature in anthropology, public health, medicine, and engineering. In Fall 2019, she took Science and Society, a class taught by Nicolas Langlitz, Associate Professor of Anthropology, and began to study canonical readings and current debates in Science and Technology Studies (STS).

Sonia Zhang, Anthropology MA student, and Nicolas Langlitz, Associate Professor of Anthropology

“Without some training in [STS], I wouldn’t have the confidence to pursue a project about scientific knowledge and technological institutions at all,” Zhang says. The breadth of material in the Science and Society course also helped her move forward toward this goal. “The course’s emphasis on morality made me consider some angles of the loneliness debate that I have neglected before,” she adds, connecting questions of moral behavior and classification to current pressing political and social problems.

The course is foundational to the Science and Society subject area, which aims to help Anthropology MA students ethnographically and historically investigate how scientific research is informed by and informs social processes. Langlitz, who turned to Anthropology after completing training as a physician, focuses his research on behavioral sciences and larger philosophical questions. 

“The sciences construct the societies we live in and our societies construct the scientific knowledge that informs some of the most consequential political decisions we take,” says Langlitz. “This complicated relationship raises long-standing philosophical questions. But recent attempts on both the left and the right to democratize and politicize scientific expertise are making this relationship one of the most pressing issues of our day.” The Science and Society subject area helps “provide students with the conceptual and methodological toolkit they need to understand the knowledge societies we live in.”

Outside of class, he helped Zhang by recommending independent STS readings and convening Anthropology student meetings and workshops on collaborative research in science-related topics.

Although Zhang didn’t initially set out to pursue a science-related topic, she’s now deeply engrossed in the area. “I would recommend this subject area to anyone who has some curiosity in how science works in general, as a form of knowledge, truth, institution, power.”

Student Fellows Innovate at NSSR Centers and Institutes

How student research is informing new modes of interdisciplinary social thought

The New School was founded in 1919 as a place where scholars could advance progressive social thought and provide the public with accessible and relevant education. The school’s early thinkers came together across disciplines to explore major social issues of the day: migration and mobility, democracy and fascism, capitalism and socialism.

A century later, The New School for Social Research continues that important work through myriad classes, publications, public programs — and especially through interdisciplinary centers and institutes. In these special spaces, faculty and students meet across departments and divisions to research many of the same major social issues. Centers and institutes help fuel policy debates, promote public discussion, and welcome visiting scholars into the New School community.

Many of NSSR’s centers and institutes have robust student fellowship programs that provide Master’s and PhD students with financial support and mentorship as they conduct major research projects. Research Matters spoke to current fellows at three centers, looking at student work across issues of economic empowerment, migration, and ethnographic design

GIDEST: The Intersection of Social Theory, Art, and Design

Photo credit: GIDEST fellow Otto von Busch

The Graduate Institute for Design, Ethnography & Social Thought (GIDEST) is The New School’s home for transdisciplinary ethnographic research at the intersection of social theory, art, and design. Funded by a grant from Andrew W. Mellon Foundation, GIDEST “draws on The New School’s tradition of politically-engaged, historically-grounded, and theoretically-innovative social research” and connects scholars across the university, especially in their bi-weekly seminar series on art and theory.

Hugh Raffles, Founding Director of GIDEST, is a Professor of Anthropology whose work is a sustained ethnographic inquiry into relations between humans, animals, and things. As a GIDEST Senior Fellow himself, he has been completing The Book of Unconformities  (Penguin Random House, August 2020), in which he uses anthropology, history, and geology to explore the stories of stones.

“The work of the student fellows is central to the institute,” Raffles says. “They bring their own expertise and interests into the group, and help create a supportive and dynamic environment in which we can all develop our ideas. As GIDEST fellows, they gain structure and the experience of participating as peers in high-level conversations with accomplished scholars and practitioners,” and receive mentoring on their research projects.

The current cohort of GIDEST fellows include faculty and students working in Politics, Psychology, Photography, Media Studies, Historical Studies, and Sociology. Amanda Arena-Miller is a PhD candidate in Psychology and GIDEST fellow whose work explores the relationship between dance and interoceptive awareness — a person’s ability to sense internal bodily states. 

Amanda Arena-Miller, Psychology PhD candidate

“My dissertation is a collaboration between the NSSR Psychology department and the Dance Department at Eugene Lang College,” Arena-Miller says. “It was a brainchild of my advisor Miriam Steele (Professor of Psychology) and Professor Neil Greenberg, who is a choreographer at Lang. They were both interested in how dance might impact your awareness of your internal signals and how that relates to the psychology of body representation. I had been working on body image research and experience as a dancer, so I took over that research.”

Arena-Miller has been coordinating this study for over four years, and it has since branched off into additional research on how art practice can impact body awareness. At GIDEST, she is compiling quantitative data on biofeedback and self-reporting; holding interviews; and conducting qualitative research on dance, using grounded theory and ethnographic work to explore interoception. 

Although their respective work can appear largely unique — past topics have included ethnographic studies of cellphone designs in China, the research of multiple spatial “under-commons” of Black and Brown community resistance in Mississippi, and the role of television in the resurgence of the historical avant-garde in the late 1960s — GIDEST fellows are able to support and elevate each other’s research with a sense of community.

“We are all interested in how knowledge is created and perpetuated within discourses and academia,” Arena-Miller shares. “Largely speaking, we’re all interested in the production and also having a critical eye on knowledge.” And in addition to the welcome financial support, “we have a space where we present our work and give each other feedback. It’s really enriching.”

SCEPA: Connecting Policy to Economics

Photo credit: Schwartz Center for Economic Policy Analysis

The Schwartz Center for Economic Policy Analysis (SCEPA) works within NSSR’s economics department as a research center focusing on policies that raise living standards and foster economic security. Collaborating with economists, SCEPA provides research analysis and policy recommendations in the areas of climate change, public finance, and retirement.

Teresa Ghilarducci, Schwartz Professor of Economics and Policy Analysis, directs SCEPA and helps guide the work of its student fellows. “Educating tomorrow’s economic leaders is fundamental to SCEPA’s mission,” Ghilarducci says. “Our team of fellows and research associates learn how to use their academic and economic skills to impact policies that can better people’s lives. In turn, SCEPA benefits from the diversity of experiences, academic and professional, that our fellows bring to the team’s daily work.” 

A noted expert and media authority on retirement policy, Ghilarducci has launched SCEPA’s Retirement Equity Lab, which is dedicated primarily to conducting research on the U.S. retirement system and vulnerable older workers. ReLab engages with both the media and policymakers to share their data and seek major structural reform. 

Owen Davis, a former financial reporter, and a first-year Economics PhD student, works as a research assistant at SCEPA’s ReLab. His work helps to illuminate vulnerabilities that have fueled the growing retirement crisis and led millions of American workers to downward mobility in retirement

“We use government and survey data sets to explore how retirement policies and labor market trends affect older workers’ retirement prospects,” Davis explains. “For example, last semester I used a nationally representative data set to show that the financial fragility of older workers has been rising since the 1990s, and remains elevated since the Great Recession. In short, the typical older worker has more debt relative to their assets than they did before the last recession.”

Owen Davis, Economics PhD student

Student fellows contribute their own interests and areas of expertise to  SCEPA’s work and also gain hands-on experience in the economics field.

“In many instances, we end up working with our former students as professionals, such as former SCEPA research assistants Kate Bahn, who is now Director of Labor Market Policy at the Washington Center for Equitable Growth, and Kyle Moore, senior policy analyst with the U.S. Joint Economic Committee,” Ghilarducci says. 

The center’s work is often shaped by movements and financial trends in real time. 

“Since the start of the coronavirus outbreak, we have devoted virtually all our attention to predicting how the crisis will affect older workers and determining what policies would be most important to ensuring income and retirement security, as well as basic safety, for older Americans,” Davis says. “We’re hard at work seeing how all of these phenomena will play out for the current crop of retirees and near-retirees. Hopefully we can get our message out to policymakers.” 

Zolberg Institute: A New Understanding of Human Movement 

Zolberg Institute fellows in Amman, Jordan, summer 2018

The Zolberg Institute on Migration and Mobility examines human movement in the age of globalization. Building on The New School’s tradition of migration studies, the institute combines art, activism, and research to create a forum on issues of human movement. 

Catherine McGahan is the Associate Director at the Zolberg Institute and previously worked for the International Rescue Committee (IRC). “The Zolberg Institute on Migration and Mobility is the first institute to focus specifically on mobility,” McGahan says. “We pull in different disciplines to create programming that is accessible to the general public, outside of academia. We are working on research, we are working on policy, we are working on academia, we are creating a more robust view of migration and mobility, not just for New York City or the country, but also for the world.” 

The Zolberg Institute is also supporting the next generation of migration scholars and immigration advocates. Graduate student fellows come from a diverse range of scholarly backgrounds; NSSR students from Anthropology, Politics, Sociology, Liberal Studies, and Psychology collaborate with students from other programs at The New School, including International Affairs, Public and Urban Policy, and Transdisciplinary Design. They work on a host of projects, including writing content for the Mobilities Seminar series at Public Seminar, NSSR’s publishing initiative, working in specialized faculty research clusters, and producing the Zolberg Institute’s immigration policy podcast, Tempest Tossed.

Special Zolberg-IRC fellowships allow students to work directly on global issues, piloting interventions and policy recommendations that then get rolled out to a global community at large. 

Mat Cusick is an MA candidate in the Creative Publishing and Critical Journalism program and a current Zolberg fellow. Cusik is an editor at Public Seminar and works on Tempest Tossed.

“I would say that the Zolberg Institute is where I feel the greatest sense of community in the entire university,” Cusick says. “All of my colleagues share a commitment to issues that matter to me, and we have the opportunity to work together on these issues in various practical ways — writing and editing articles, researching and planning the podcast episodes, hearing and discussing scholarly work in progress, and attending and supporting public events.”

With their robust public events calendar currently on pause, Zolberg has gone digital, launching an online series of discussions with scholars and activists on migration-related issues and COVID-19.

 Mat Cusick, Creative Publishing and Critical Journalism MA student

The upcoming season of Tempest Tossed, produced by the student fellows, is a deep-dive on the Trump administration’s immigration tactics, their impact, and their potential lasting legacy.

I have responsibility for researching and editing the script for an episode on the Trump administration’s ‘virtual wall’ — another way of describing the systematic dismantling of the asylum system,” Cusick shares. “The fellowship has provided me with my first opportunity to be involved directly in a podcast, at all levels of production, from proposing subjects, speakers, and titles, to recording interviews and editing scripts, to strategizing about marketing and promotion.”

As an editor at Public Seminar, Cusick has written his own pieces on migration as well as commissioned and edited the work of major scholars in the field for the Mobilities Seminar, on topics such as asylum policy, offshore detention of refugees, climate change, forced migration, and sanctuary movements.

“Zolberg fellows are engaged in a wide range of important and exciting work around what I consider to be one of the most fundamental political issues of our time, transcending borders,” Cusick says.

NSSR Students Mark 100 Years of Radical Education

Photo credit: New School Archives

“The New School opened with ‘eclat’ on February 10, 1919, bursting onto Manhattan’s cultural scene with an exciting program of Preliminary Lectures delivered by leading social scientists of the day.”
—Judith Friedlander, A Light in Dark Times: The New School for Social Research and Its University in Exile (Columbia University Press, 2019)

Those first lectures at The New School, then known as The New School of Social Research were the first act of a new academic institution born in protest. The New School’s founders included James McKeen Cattell and Henry Wadsworth Longfellow Dana, pacifist professors fired from Columbia University during World War I for refusing to sign an oath of loyalty to the United States. Other Columbia faculty soon resigned in solidarity, and together with other progressive intellectuals, they planned and opened a new school to “meet the needs of intelligent men and women interested in the grave social, political, economic, and educational problems of the day.”

The New School marked the centennial of this revolutionary act with the Festival of New, a weeklong festival in October of innovative performances, talks, workshops, screenings, exhibitions, and more open to all. 

The New School for Social Research began the Spring 2019 semester with a Centennial lecture series that tackled the themes of migration and mobility, democracy and populism, and economic inequality and the future of capitalism.

NSSR students took that line of critical reflection even further in Fall 2019. With funding from the NSSR Dean’s Office and from The New School, they produced conferences and events that explored NSSR’s history and examined the changing definition of what it means to be “new.”

THE NEW SCHOOL, THEN AND NOW

Photo credit: Joel de Lara

The institution envisioned in The New School’s 1919 Preliminary Lectures pamphlet is quite different than the university today. That distance between radical ideal and lived reality catalyzed Philosophy PhD student James Trybendis and candidates Teresa Casas Hernandez and Veronica Padilla to organize a conference around pedagogy, and how those 1919 ideals could be rearticulated today in the classroom experience. 

“It can’t just be the content [of classes] that’s radical,” says Casas Hernandez. “The form can be a bit stiff. We ask, ‘how can you use other disciplines and methods?’” 

The symposium brought together graduate students and faculty from NSSR and Parsons School of Design as well as Pratt Institute. With opening panelists Dr. Robert Kirkbride, P.J. Gorre, and Tara Mastrelli, the symposium began with a discussion of the history, founding philosophies, and possible future of The New School. Attendees then participated in collaborative workshops on belonging, posthuman life, and meaning facilitated by Scherezade Garcia-Vazquez, Eva Perez de Vega, Michele Gorman, and Dora Suarez that aimed at exploring innovative approaches to rethink pedagogy.

 “Philosophy happens in dialogue and in community,” Casas Hernandez says. “You need a community to think.”

Later, over ice cream, attendees discussed the ideas from the opening panel and the workshops and how they could apply what they learned in their own practices and classrooms. While it might be impossible to return to 1919, or to founding ideals that, in reality were never executed as written, the symposium was a chance to imagine what could be in the next 100 years. What’s important, says Casas Hernandez, is “having this space for discussion.”

AESTHETICS, POLITICS, AND THE CREATION OF THE NEW

Photo: Adrian Totten

Aryana Ghazi Hessami, a PhD student in Anthropology, and Adrian Totten, a PhD student in Politics, met in a Modernist Aesthetics class taught by Jay Bernstein, Distinguished Professor of Philosophy. 

It follows, then, that Symposium on Aesthetics, Politics, and the Creation of the New, the Centennial conference they created, was inherently interdisciplinary, a chance for participants from many backgrounds to examine, interrogate, and critique the aesthetic nature of politics and reflect on the foundation of The New School.

Hessami and Totten also had a perfect keynote speaker in mind: Hessami’s MA thesis advisor and NSSR Sociology alumnus Martin Plot, now Research Professor of Political Theory at the National Scientific and Technical Research Council and the Institute of Advanced Social Studies in Argentina.

In his 2014 book The Aesthetico-Political: The Question of Democracy in Merleau-Ponty, Arendt, and Rancière, Plot sought to overcome the binary between normative or analytic approaches to theories of democracy on one side, and Schmittian theories of sovereign decision on the other,  by turning toward the phenomenological tradition, which he argues “could give birth to a conception that fundamentally opposes the theological-political view from the position of an aesthetic–in the original sense of ‘aisthesis’–primacy of the plurality of perceptions and appearances in the understanding of the political.” Plot calls this new conception the aesthetico-political, and he expanded on that research and more in his Symposium keynote address, “Becoming Beginners: The Body of Necessity and the Body of Freedom in Arendt and Butler.” 

Before his address, the Symposium welcomed graduate students from NSSR, Princeton University, CUNY Graduate Center, the University of Chicago, the University of Costa Rica, and Goethe University, Frankfurt for two panels. The first, ‘The Birth of the New’ addressed philosophical and theoretical considerations of the question of the new in politics; Philosophy PhD candidate Veronica Padilla was the discussant. The second, ‘Aesthetics, Action, Politics,’ discussed empirical case studies  on the role of art and aesthetics in politics; Sociology PhD student Zoe Carey was the discussant. Panels were interspersed with mini ‘installations’ featuring presentations of works of art that touched on the Symposium’s theme of the relationship between art and politics.

SOUNDS FROM THE PAST

Covers from recent GFPJ issues

Since 1972, the student-run Graduate Faculty Philosophy Journal (GFPJ) has published essays and translations from some of the day’s leading philosophers and thinkers, including Axel Honneth, Judith Butler, Jürgen Habermas, Trân Duc Thao, and Wolfram Hogrebe.

Their archives run deep, and editorial board members and Philosophy PhD students Krishna Boddapati, Cayla Clinkenbeard, and Ceciel Meiborg discovered some audio treasures: recordings of lectures and conference presentations from major philosophers. While many of those transcripts had been published in the GFPJ and other outlets, some hadn’t ever been published, and few had heard the talks themselves after the fact.

“Last year we applied for the Centennial fund because we found these boxes of reel-to-reel tapes and cassettes, mostly recordings from the 70s and 80s, and it was a mix of lectures, conference presentations, seminars,” says Meiborg. Funding from The New School for ‘Philosophy Recorded: Celebrating 100 Years of Radical Thought at The New School’ helped the GFPJ begin to digitize the recordings, necessary to both preserve the recordings themselves and to allow GFPJ to hear them, since there was no reel-to-reel equipment at the university.

At the Night of Philosophy, a dusk-till-dawn celebration of learning held during the Festival of New, the GFPJ editorial board worked with Zed Adams, Associate Professor of Philosophy to hold a special listening session. A mix of 40 New School students and community members attended in the hopes of hearing snippets of lectures directly from Jacques Derrida, Hans Jonas, Paul Ricoeur, Hans-Georg Gadamer, and Charles Taylor. The in-room audio systems didn’t quite work, remembers Meiborg, and the group improvised by playing the recordings on a smartphone held up a microphone. 

The GFPJ is continuing to digitize recordings and assess ownership rights for publishing audio files; Meiborg says there’s nothing like hearing the recordings themselves, parsing through the cadences of speech and thick accents. Plans are in the works to publish what they can in written form; a transcript of the Jonas lecture on the responsibility of philosophers and artists, and three lectures by past NSSR professor Aron Gurwitsch on philosophy of mathematics, will appear in the forthcoming Fall 2019 (40:2) Centennial issue.

Revival Magazine Examines the State of the Left

Revival on 15th Street, a cheap bar with a patio, became a regular spot for the NSSR community to meet for a post-class drink near campus. One particular group of graduate students routinely went to Revival together every Friday night. They would talk about The New School, the chaos of graduate life, and the intricacies of leftist ideologies and movements happening in, around, and far from the university. These discussions soon became the inspiration to start their own magazine.

“The idea to establish Revival Magazine originated from the realization that The New School, and in particular NSSR, lacks accessible and student-led spaces where we can exchange ideas and arguments that are not academic in nature,” says founding co-editor and Economics MA student Ruben Brockbreder. “We wanted to create Revival to document these conversations, which, while most passionately delivered in the dim light of the bar and animated by Friday night spirits, would often dissipate within daily routine and university madness.” 

“All That’s Left”

The first issue of Revival launched in May of 2019, entitled “All That’s Left.”  “The quite gloomy title for Issue I describes our attempt to collect or survey the condition of leftist movements and parties around the world,” Brockbreder says.

The issue featured three sections: commentaries on the state of the left in seven different countries; research briefs spotlighting the work of MA and PhD students in NSSR’s Three-Minute Thesis Challenge; and art and essays on themes of labor, alienation, and a sense of belonging in and near the left. Submissions came from across NSSR, representing how social science students are grappling with today’s most pressing issues.

Ye Liu, a Sociology PhD candidate, wrote a commentary on China:

Amy Osika, a Historical Studies MA student, explored the use of satire by the New Left and the U.S. counterculture for social and political critique in 1960s.

P.J. Gorre, Philosophy PhD candidate and Coordinator of Academic Affairs at NSSR, shared advice from his mother amid difficult times.

Kalpa Rajapaksha, an Economics PhD student, presented photographs from “beyond the horizons of capital in New York City.”

Making a Magazine

But as Brockbreder tells Research Matters, an idea is far from enough to make a magazine materialize from scratch. The original team of five editors found funding for Revival through NSSR’s MA Project Grant, which provides support for initiatives launched by MA students that focus on learning, research, and community-building. 

“From the very beginning, we all agreed that we wanted to produce a physical rather digital product that we could ‘hold in our hands and pass around’. From getting submissions for essays and artwork, to editing and finally printing and binding, everything in setting up Revival, in fact, has been refreshingly physical,” Brockbreder says. They printed and bound the magazine by hand at Parsons Making Center, with a digital copy created as an archive. 

Isobel Chiang, a Creative Publishing and Critical Journalism MA student and Revival’s art director, has worked as a publishing fellow with the New Republic and as an assistant at both the Parsons School of Design and at a New York City design firm. She points to the Parson’s Graphic Design Lab and its technician, Joe Hirsch, as major resources for producing the physical magazine. She included her notes on design and layout in the arts section of Revival:

“Our goal when typesetting and laying out Revival was not to make a magazine that succumbs to stale associations of leftism (the color red, images of people protesting, stars, etc.),” she writes. “Our goal, instead, was to somehow carry over the spirit of the left into a print product.” The magazine uses only three colors on uncoated paper.

Publication design is an essential part of the Creative Publishing and Critical Journalism (CPCJ) curriculum. All CPCJ MA students take Design and the Future of Publishing, a hands-on studio course investigating typography, book and pamphlet design, digital printing, content on the web, and ideation. They also examine contemporary issues that cross design and publishing through readings and analysis of contemporary books, magazines, and periodicals across both printed and digital platforms. Every spring, Parsons School of Design undergraduates join CPCJ students in multidisciplinary teams that work to create conceptual publishing projects — a truly New School-only experience.

Looking Left of The New School

Buoyed by student response and a second MA Project Grant, Revival’s editors are working on its second issue, “For our second issue, we now want to shift the focus from the global to the local to focus on the movements and debates organized by New School students and workers,” Brockbreder says. 

Submissions for the second issue should touch broadly on the relationship between leftist ideas and ‘liberal institutions,’ such as The New School, timely in the year of its centennial. Some topics suggested in the call for submissions include how the New School’s health insurance policy is affecting students, the meaning and symbolism of sanctuary schools, and labor organizing on campus and at other academic institutions. 

As the first issue told us, “We want to continue thinking beyond academia; coming from within but looking beyond. This is an attempt at reviving that tradition.”


If you would like to write for Revival, please email revivalmag@newschool.edu with a brief pitch of your idea; the essay does not have to be written at this point in time. If you have a complete essay, please submit that as an attachment with a brief summary of the essay in the body of your email. The submission deadline is December 15, 2019.